The capturing in the Stand, which lasted for 6 months,[24] took on a kind of guerrilla filmmaking, where by it was shot over a 16mm movie digicam; filming came about in a minimum of two unique areas day after day, "destinations I hadn't seen till we began capturing there," Garris explained;[35] and the effects artists needed to do their career in a

two tend to be the index of refraction of the very first and second media, respectively. The index of refraction for virtually any medium is actually a dimensionless continual equivalent to your ratio from the velocity of light in a vacuum to its speed in that medium.As we are able to see, the visible spectrum—that is certainly, light that we can